Shop · Étude de textures #14
Hahnemühle Torchon is a cellulose-based FineArt inkjet paper with an inkjet coating specially tailored for FineArt applications. The bright white art paper has a clear, coarsely structured felt mark and is characterised by a very special tactile feel. The unique surface structure blends with the images and lends them an impressive three-dimensional effect and sense of depth.
The premium matt inkjet coating produces outstanding print results, with bright colours, perfect reproduction of detail and deep black. The acid- and lignin-free Torchon paper meets the most exacting requirements for age resistance and is specially designed for FineArt use.
- 285 gsm, 100% a-cellulose
- Bright white
- Coarsely structured felt mark
- Matt premium inkjet coating for outstanding print results
- Acid- and lignin-free
- ISO 9706 conform / museum quality for highest age resistance
Each print is hand-finished, numbered and signed.
- Secure shipping
- Carefully packaged
- Insured in transit
- Crafted to order
- Ships in 5–10 business days from Montreal
Featured fine art print
Étude de textures #14
$432.00
Rusty sand-blasted metal texture, from my abstract photography series "Étude de textures". Shot with a macro lens.
Signed limited edition - 10 total
This collection documents the patterns, surfaces, and textures found in both natural and urban environments. Fossils, bark, rust, patina, or the incidental beauty of oil swirling in a dirty pan are photographed up close, some losing their identity entirely under the lens. The series is driven by a fascination with decay and transformation, and by the way similar patterns appear across wildly different materials.
Many of these subjects are fleeting. A dandelion about to lose its last seeds, a piece of metal mid-corrosion, pigments caught mid-extraction. The awareness that what I am looking at may be gone or transformed by tomorrow is part of what keeps me present and attentive, always scanning my surroundings for something worth capturing before it disappears.
This archive forms the foundation of my broader practice in fibres, feeding directly into my work with natural dyeing, pigment extraction, handmade paper, textiles, and sculptural elements in wood, metal, and concrete.
